toy.bizarre
Dale Lloyd
(blung005)
Vital Weekly

Reviewed by: Frans de Ward

It's been a while since Bremsstrahlung released the first two issues in a series of ten mini CDRs, in which they feature the work of two artists (Vital Weekly 393), but here is number three, with music by Toy Bizarre and Dale Lloyd. The first two were pressed as separate mini CDs, but here they are pressed on one CD, probably out of economic reasons. Cedric Peyronet is one of the few people in the world of microsound who still uses his old moniker Toy Bizarre, whereas everybody who thinks he is
more serious uses their christian name. Bravo Cedric. There is also something else that sets him apart from the microsound posse, and that his relative loudness. 'Well, Wind, Wood, Night, Plane' starts out like it's been cut out of a bigger composition and the title sums up what we hear. All of these recordings were made in Pommier, France and processed in the studio. It's a piece of music that is of a rather ambient nature, that throughout gets softer and softer, until it's gone. Then it returns for a few minutes in an almost noise mode. None of the original sources are there to be spotted, but it's a marvelous piece of music. Nothing like true microsound, but very evocative.

Dale Lloyd is known for releases on his own And/Oar label, and running the Phonography site, and his work is strongly inside the world of field recordings. His 'From Dayspring To Eventide: Within The Green Half-Light' (one small part and one quite long) is based on recordings made in Alabama and Washington and processed at home. In the short piece a faint seagull is singing and in the long piece the sounds are even more difficult to recognize, and has lengthy transformations into the world of
sine waves (high and low) with static crackles. Nice, but perhaps a bit too regular and not too different from a lot of things happening the area of microsound and field recordings.